The normal way to draw the tail of any animal, from a squirrel to a dog, is to make it round and soft like the Western waves reversing this created the Coyote’s tail. These are waves to die on, not to surf on. If you have a boat hanging on top of a wave in a Japanese painting, you know it’s going to go over. When the Japanese artist wants to make a breaking wave frightening, he draws it like hostile claws rather than in the softer Western way. The ragged tail was inspired by Japanese paintings of stormy oceans. In the same way, excess flesh creases in the folds of a heavy animal’s body. The Road Runners outwitting and out-running of his. The Coyote’s hair is perfectly willing to cling to the upper part of his cheek, but it peels off in the break, just as it does on Bugs Bunny’s face. Although he always stays on the road, his awesome speed allows him to escape Wile E. Fur is not obedient to the body it will cling only as long as the surface remains fairly flat. The fur is shown not over all the body but only where it changes direction over a joint or a curve in the face. And I usually give him an extra toenail (I like to leave one hanging out.) The way I draw the Coyote’s fur adds to the unkempt impression. These knees and the pot belly are usually enough to identify the Coyote. When he comes to a stop in the later films, one knee is a little higher than the other, adding to his ragged look. The main change in the way I drew the Coyote over the years involved the knees. Wile E.’s hungry look is completed by a little pot belly. Even the ears are similar, with the difference that the Coyote’s are a little bit broken.
The two characters have identical skulls, but the Coyote’s cheeks stand absurdly proud, whereas Bugs’s are confidently contained. He also directed a sequel to his classic. His arms and legs are much bonier than Bugs’s (when people are skinny, their elbows and shoulders look bigger), but their body shape is the same. Coyote in Chariots of Fur (1994), Bugs Bunny in From Hare to Eternity (1996), and Daffy Duck in Superior Duck (1996). In silhouette he looks like a dissolute Bugs. The coyote is quite an elegant character, but because of his build he has a problem conveying what he feels he is.
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